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The role played by the darkness of night creates another similarity as it causes the romantic confusion in both plays.
Above that, Davidson points out a very important issue that Shakespeare makes a comparison between the inadequate of the acting amateurs and the highly professional work conducted by his own company through the parody with the acting of the craftsmen in the subplot (88).
According to the author, however, Shakespeare seems to have a negative view on the play and the players in many provincial cities and towns, which probably can cause severe misrepresentation about the quality of the amateur actors or companies (96).
Similar to the first play-within-a-play, the second serves an important role to signify the larger play.
In , Clifford Davidson discusses the play-within-a-play structure and its purpose.
A Midsummer Night’s Dream the dramatic construction in general and of Shakespeare’s play in particular.
Although Shakespeare borrows the themes, characters and stories from the history of the ancient Greece and Greek mythology, the play-within-a-play structure shows his creations and his own work.
Davidson explains that by saying that “for the spectacles that cities like Coventry were able to mount were surely not so rough and “amateurish” as we might imagine” or “the quality of the production were surely much, much higher that Shakespeare’s play-within-a-play in Alan Bellringer explores the art of acting which he claims is “a valid part of the art of living” and its importance (213).
He asserts that “the sub plot about the Athenian workmen’s underserved success in the amateur dramatic competition is thematically relevant and supportive” (Bellringer 213).
He indicates that the play-within-a-play raises questions of imagination and stage reality (Davidson 87).
Also, the author argues that Shakespeare uses this structure to parody the older dramatic styles of the public theaters fashionable when they tended to use the bombastic language and clumsily use the mythological subjects in their performance (Davidson 88).