Not only was it a movement, it defined the act of art as a whole.
From the beginning of time, each work of art, excluding replicas, show a way of expressing one’s self.
Therefore, language can be described as a form of art under the theory of expressionism.
Speech transmits the thoughts and experiences of mankind, serving as a means of expression among them; art also acts in a similar manner by sharing emotions.
The only one of these that can fall short of being perfect, is the final one, for which in this case, the artwork is just considered unsuccessful. Using the chain link format, fitted with Tolstoy’s theory, the Nature of Art can be split into extending categories.
Leo Tolstoy Essays Art
Here the objective reality is the inner feelings of the artist to be communicated to the external receptor through the piece of art. Under Tolstoy’s theory, the immediate Nature of Art would be the intuitive expression impact the work has over the audience.If you view this all in a combined sense, art equals language, which equals the sharing of our emotional lives.Therefore there is an external objective that needs to be viewed by our senses unintentionally.During the nineteenth and early twentieth century, a style known as Expressionism became popular.During this movement the artists were trying to use their artwork as a tool of expression toward life.Second, the artist must intentionally produce an external artwork, which transmits feeling and emotions to the audience.Finally, the artwork must portray the same emotions that the author intended.Fisher also states that too much harnessed emotion will tend to lower the value of art. For Tolstoy, a piece to be considered art must surpass a few requirements.First, the piece of work must express deep and unique feeling and emotion.This is how the artist and the audience becomes one. If you put music into a three stage event, you would have the musician (who is expressing the externalized formulation), then the music as reflective emotions (the artwork), and finally the audience (the expressive emotion). Collingwood’s theory on the other hand states sees the expression of art in the exploration of disposition and emotional experience from a particular perspective; the experience of art is neither the calculated arousal of emotion in an audience nor the pre-established formulization of culture.Tolstoy views the arousal view as requiring prior knowledge of their own emotions before expressing them, not spontaneous. Collingwood sees real emotion as individual and contextual.