Edith Wharton A Collection Of Critical Essays

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An active reader of this type is courted in Wharton’s 1899 story, “The Pelican.” The narrative concerns a widowed Mrs.

Amyot who lectures on various “cultured” subjects, from Shakespeare to Greek art, to support her young son, Lancelot.

(Tuttleton Wharton’s interest in imperfect, incomplete vision is evident not only in her poetics but also the content of her stories. Manstey’s View” (1891), “The Lamp of Psyche” (1895), “A Glimpse” (1932) and “The Eyes” (1910) demonstrate the importance she gives to the onlooker.

Many of her narratives rest upon a misreading of a situation or even object, including a misread picture in “The House of the Dead Hand” (1904), a misread book in “The Descent of Man” (1904) and a misread diagnosis in her 1930 story of the same name.

Thus, whilst I refer to Wharton’s critical writing in the following discussion of four of her stories, this article will follow Lawrence’s advice to foremost ‘trust the tale’ rather than the artist (31). Indeed, James’s narrators often present a further viewpoint in addition to that of a focalizer’s experience or vision, endowing his impressionistic accounts with an element of nineteenth-century omniscient narrative traditions.

Whilst not completely reliable themselves, James’s narrators often signal the potential unreliability of a focalizer’s perspective and nudge the reader towards considering the wider view of the events narrated.

The implicit link between the pelican of the title and Mrs.

Amyot suggests that the “actual suffering” (79) she claims she must go through by speaking in public for the sake of the baby, is a fallacy rather like medieval notions of the bird’s self-sacrifice.

Mais c’est surtout par le rôle qu’elle attribue au lecteur de ses nouvelles que Wharton s’apparente à ses contemporains modernistes : le lecteur doit être actif, capable d’identifier ses reprises des récits traditionnels, de comprendre l’ironie et de combler les vides laissés dans ces textes souvent fragmentaires.

Critical dissonance over Edith Wharton’s modernist practices has intensified over the last decade, and although few view her nowadays as the “literary aristocrat” Parrington had firmly ensconced in the nineteenth century (153), Wharton’s relationship with modernism and modernist writing continues to be an increasingly fertile area of scholarship.

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  • Edith Wharton Bibliography -
    Reply

    Edith Wharton's Dialogue With Realism and Sentimental Fiction. University Press of Florida. 2000. 224pp. David Holbrook. Edith Wharton and the Unsatisfactory Man. St. Martin's Press. 1991. 208pp. Irving Howe editor. Edith Wharton A Collection of Critical Essays. Prentice-Hall. 1962. 181pp. Josephine Lurie Jessup.…

  • Another Sleeping Beauty Narcissism in The House of Mirth.
    Reply

    This is the text of Wharton's novel used here. All page numbers, indicated in parentheses after quotations from The House of Mirth, are to this edition. 4Wharton, The House of Mirth New York New American Library, 1964, Afterword, 343. 5Irving Howe, ed. Edith Wharton A Collection of Critical Essays Englewood Cliffs, N. J.…

  • Project MUSE - Wharton and Cather
    Reply

    Laura Rattray’s engaging collection Edith Wharton in Context Cambridge is a valuable resource for scholars, teachers, and general readers. Positioning Wharton in a time of tremendous social change, the contributed short essays, organized into seven sections, address biography, critical reception, publishing history, arts, design, historical.…

  • The House of Mirth
    Reply

    Dwight, Eleanor, Edith Wharton, An Extraordinary Life, Harry N. Abrams, 1994. This work is an overview of the life and times of Wharton. It includes personal correspondence and photographs. Bloom, Harold, ed. Edith Wharton, Chelsea House, 1986. Bloom offers a collection of critical essays on the works of Wharton.…

  • Edith Wharton Society EWS Awards for 2018-2019
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    Edith Wharton Society EWS Awards for 2018-2019 Elsa Nettels Prize for a Beginning Scholar This award, formerly known as the “Edith Wharton Society Prize for a Beginning Scholar” and established in the fall of 2005, recognizes the best unpublished essay on Edith Wharton by a beginning scholar, advanced graduate students, independent scholars, and faculty members…

  • Edith Wharton A Bibliography - journals.
    Reply

    A rapid perusal of the following critical bibliography reveals the paucity of work examining Edith Wharton’s art of the short story as a whole. Most of the articles listed below focus on one or two stories. Barbara White’s Edith Wharton A Study of the Short Fiction, published in 1991, is still the only book-length study devoted to the subject.…

  • Make It Short Edith Wharton’s Modernist Practices in Her.
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    Critical dissonance over Edith Wharton’s modernist practices has intensified over the last decade, and although few view her nowadays as the “literary aristocrat” Parrington had firmly ensconced in the nineteenth century 153, Wharton’s relationship with modernism and modernist writing continues to be an increasingly fertile area of scholarship.…

  • Edith Newbold Jones Wharton
    Reply

    Edith Wharton Edith Wharton 1861-1937, American author, chronicled the life of affluent Americans between the Civil War 1 and World War I 2. Edith Wharton was born Edith Newbold Jones in New York 3 City, probably on Jan. 24, 1861.…

  • Roman Fever Introduction & Overview -
    Reply

    Roman Fever" is among Edith Wharton's last writings and caps off her noteworthy career. "Roman Fever" was first published in Liberty magazine in 1934, and it was included in Wharton's final collection of short stories, The World Over, in 1936.…

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