Tags: Read Research Papers Online FreeLuthers Martin ThesisHotel Business PlansProblem Solving Case Study ManagementPersuasive Speech About FriendshipAdolf Loos Ornament And Crime EssayExamples To Use In Sat Essay
And issues of appropriation, of respectful cultural representation, of equity and creative control are particularly pertinent to collaborative processes in relation to Aboriginal stories.The SBS Independent guidelines, which aim to respect indigenous participants while working with indigenous cultural beliefs and values, state that filmmakers must inform indigenous participants of their rights as storytellers, within the filmmaking process; assist non-indigenous filmmakers to respect indigenous participants, while working with indigenous cultural beliefs and values; and respect the integrity of the filmmaking process and facilitate cross-cultural education.
By the early 1990s the Australian Film Commission (AFC) had been concerned about setting guidelines for funding and assessing films containing Aboriginal content, so they contracted Aboriginal consultant Shirley Mc Pherson to carry out interviews and surveys with Aboriginal communities.
Mc Phersons report drew the attention of the AFC to the views of Aboriginal producers, which were noticeably and consistently different from those of Aboriginal people working in Aboriginal community organisations.
Rabbit-Proof Fence is more than a good film, it’s a great film, not just because of the bruising, divisive but necessary debate over the stolen generations but because it fulfils its promise to the audience.
As with most films caught in controversy before release, Australian Rules struggles to live up to its recent headlines.
Proud of its engagement with indigenous Australians in film and television production, documentary and drama, SBS declared that both black and white filmmakers could make programs involving indigenous peoples and issues.
They stressed their commitment towards supporting Aboriginal people in the film and television industry and culture, and aimed to affirm protocols of moral rights in stories.
The result was that the majority of Aboriginal producers did not support a separate indigenous unit because they felt they should compete with non-Aboriginal filmmakers in the industry and be assessed on their merit rather than their Aboriginality.
The final report stated; The attention of the AFC is especially drawn to the responses provided by Aboriginal producers.
These exhibit much greater knowledge of the industry and are noticeably and consistently different from the views expressed by others.
In particular their views are significantly different with respect to a separate Aboriginal unit in the AFC.